Could anyone ever doubt the artistic brilliance of Michelangelo? Though his architectural and engineering feats were prodigious, the paintings and sculptures of this Italian Renaissance man are yet considered to be amongst the most treasured works in all of art history.
It is rumored that the Pope, while admiring Michelangelo’s sculpture of David, asked “How do you know what to cut away?” To which the sculptor supposedly replied, “It’s simple. I just remove everything that doesn’t look like David.”
Whether this dialogue is true or not is uncertain, but it seems this principle was surely applied by Gutzon Borglum, whose artistic vision equaled Michelangelo’s, or possibly exceeded it. Borglum is the creative mastermind who gave South Dakota its legendary Mt. Rushmore National Memorial.
Four of America’s presidents have been immortalized there. Their granite faces gaze eternally over breathtaking South Dakota. And they are gazed upon. More than three-million tourists visit Mount Rushmore each year to marvel at America’s “Shrine of Democracy.”
The tourists are eager to learn of Gutzon Borglum, Rushmore’s fiercely determined sculptor. If not for his artistic genius and ingenuity, the Memorial may never have become a reality. But is it possible that one man could have single-handedly accomplished such a feat? Hardly.
Borglum may have been the brain of the project, and he may get the lion’s share of the glory, but let’s not forget the whole body of Americans who embraced the dream and worked towards its fulfillment. The first name on the Mount Rushmore roster is Doane Robinson. As secretary and historian of the South Dakota Historical Society, he was eager to draw sightseers to his beautiful state.
While thoughts of tourism were freshly churning in his mind, Robinson read that Gutzon Borglum had been commissioned to carve a tribute to the confederacy into Georgia’s Stone Mountain. He thought of South Dakota’s grand mountains and envisioned “all the heroes of the old west peering out from them.” Fortunately for South Dakota, the Stone Mountain project washed out and Gutzon Borglum was free to sculpt elsewhere.
State forester, Theodore Shoemaker, escorted Borglum into the heart of the Black Hills. He felt that the renowned artist would be captivated by Mount Rushmore. Shoemaker was right on the mark. Once Borglum saw this “garden of the gods,” no other mountain would do. “Here is the place!” he announced. “American history shall march along that skyline!”
The dream took wings. From school children’s pennies to philanthropist contributions, monies and resources slowly trickled in. These invaluable contributions were the fuel that kept Borglum’s dream burning, as were the labors of the men who worked for Borglum: the men who drilled, blasted, and polished the Memorial into its present greatness.
When the plans to sculpt Mount Rushmore were first announced, unemployment was very high. Borglum easily gathered a beginning crew of twenty-two men. Most of them, being loggers, ranchers, and miners, knew nothing at all about carving. Yet they not only mastered the skill of stone carving, they did so while hanging over the side of the mountain in small chair-like “saddles.”
Even though the saddles were sturdy and dependable, the work was dangerous and stressful. Each day started with a taxing 506-step climb to the top of the mountain. The men, who were already exhausted, were then lowered down the side of the mountain to drill and chip the rock away bit by bit.
Borglum originally believed that the Memorial could be carved without dynamite, but he was wrong. Before Rushmore’s completion, 450,000 tons of rock was blasted off the mountain. “We have literally carved with dynamite,” Borglum later confessed.
Most of the men who worked on the mountain earned little pay and gained no recognition. So why did they do it? Initially, the men simply wanted to feed their families. Times were hard, jobs were scarce, and men were desperate. At some point, though, the men caught a glimpse of Borglum’s dream. ‘Red’ Anderson explained, “The longer we were there, the more we began to sense that we were building a truly great thing, and after a while all of us old hands became truly dedicated to it.” Through the years, more than 400 men would share the satisfaction of laboring to create the Memorial.
Gutzon Borglum certainly deserves a place of honor in the annals of artistic achievement. “I want somewhere in America,” he said, “ a few feet of stone that bears witness (to) the great things we accomplished as a nation, placed so high it won’t pay to pull it down for lesser purposes.” The Mount Rushmore National Memorial serves its purpose well.
For me, the past week has been life-changing. Many events, some good, some tragic, have caused me to reflect on my own life. In the end, I want my life to count for something. I don’t want to be famous and admired like the Mount Rushmore memorial, but I want to leave a legacy that encourages people to trust the Lord Jesus Christ. And, I want my life to bear witness of the inexpressibly wondrous things that the Lord has accomplished in me and through me.
I thought about the many people whom God has allowed to impact my life. Like the Rushmore workers, some have helped to gently chisel away some of my pain and imperfections. As Scripture says: As iron sharpens iron, So a man sharpens the countenance of his friend. (Proverbs 27:17).
The Lord has used less gentile people to shape me as well, some were believers and some were not. They, being tools in the Master Sculptor’s hands, were often more like a forceful blast of dynamite because the Lord was using them to reach the places where my heart was harder. Though I could not always see it, the Lord was working all things out for my good (Romans 8:28).
Circumstances, both good and bad, have also helped define me. More often than not, the circumstances have been those which leave me feeling blessed and enriched, but there have been more occasions than I care to remember, when the circumstances of life were also like the explosive charges that carved Mount Rushmore.
It never ceases to amaze me that Borglum was able to assess a mountain and, at the hands of his workers, blast away everything that did not look like a president. One misplaced charge and Washington could have lost his nose, or Roosevelt his ear. But every time the rubble crashed to the ground and the dust smoke cleared, it was evident that the extraordinary masterpiece was one step closer to its completion.
Look closely at the Rushmore Memorial, however, and you will note that it is not quite finished. I think that is a perfect analogy of the human life. We are all works in progress; and we will never be fully perfected in this life.
Even so, let us show forth God’s excellent craftsmanship in our lives by submitting to the Master Sculptor, Jesus. He knows how to skillfully chisel and dynamite all the hardened places in our hearts and lives until we show forth His glory.
Borglum said, “The purpose of the (Rushmore) memorial is to communicate the founding, expansion, preservation, and unification of the United States…” However, we have an even greater calling than Borglum did. Our calling, our legacy to mankind, is to allow the Lord Jesus to communicate the founding, expansion, preservation, and unification of His kingdom through us.
Finally, let us never forget that His is a kingdom of people. I for one am thankful for all the people who God has used, whether chisel or dynamite, to help refine me. When I think of the rubble lying at my feet, which has been chipped and blasted away in order to make my life into something beautiful, I realize that the Lord’s masterpiece is one step closer to completion.
Therefore if any man be in Christ, he is a new creature: old things are passed away; behold, all things are become new. (2 Corinthians 5:17).
As such, we are living memorials of our blessed redeemer. Praise God!
Rays of Light 